In the summer of 2019 I will be teaching the following geometric pattern courses at The Prince’s Foundation School of Traditional Arts, London and at Alqueria de Rosales, Spain. I will be covering different aspects of Islamic geometric design with a focus on communicating the core structural principles of this infinitely variable artform.
Posts Categorized: Handmade
In September 2018 I gave a presentation about patterns constructed using grids at the 4th International Workshop on Geometric Patterns in Islamic Art in Istanbul. For the presentation I prepared these timelapse videos demonstrating different methods for constructing grids using ruler and compass and I have posted them here to be of service to a… Read more »
Earlier this year the Qatar National Library opened a new permanent exhibition of artefacts from it’s Heritage Library collection. I was commissioned to make three timelapse videos demonstrating the construction of geometric designs featured in particular artefacts, to be displayed alongside the original pieces. In order to create the films I analysed and reconstructed the… Read more »
“Geometry is an inexhaustible well of formal beauty with which to fill our bucket; but before the draught is fit for use it should be examined, analysed and filtered through the consciousness of the artist.” Claude Bragdon, from Projective Ornament (1915)
Inspired by Professor Miroslaw Majewski’s exploration of the pattern above left, seen at the Blue Mosque in Istanbul, I have developed a practical ruler and compass construction method which allows for the creation of a set of tiles which can be configured in numerous ways, giving rise to a whole range of patterns. Working through… Read more »
Over the summer months, I have been beavering away on a new body of print work created by relief printing from lasercut tiles. The shapes of the tiles arise from different symmetries and result in different vocabularies of form which can be configured into a rich language of pattern. The prints above are all available… Read more »
I haven’t posted on here for some time due to being immersed in studying and practicing geometry. One of the aspects I’ve found most rewarding and stimulating is the process of analysing and reconstructing a pattern. It’s done wonders for the development of my understanding of geometric proportions and pattern making.
Here are some photos of a screenprint I was recently commissioned to create of the first two verses of The Lady of Shalott by Alfred Tennyson. It’s a one-off screenprint printed onto Fabriano Rosapina 285gsm in silver and black ink.
Now that I’m borderline obsessed with geometric design after my course at the Prince’s School of Traditional Arts, it’s clear to me that geometry has not only always underpinned my work but underpins the way the world works. I’ve come across lots of geometric art recently but I wanted to start by posting work from… Read more »
Not only are we finally launching our online shop Ambigraph Prints, selling high quality art prints and greeting cards, we’re also selling them in a new collective box shop called Rock Paper Scissors in West Norwood. The shop is full of locally made and curated products from 25 local makers, who are running the shop… Read more »
As I am about to go on a trip to the Lake District and I’ve been meaning to write a post about the elemental work of Richard Skelton, who has produced music and texts inspired by the landscape and dialect of Cumbria, it seemed like an appropriate time to post this.
… amazing Soundgarden poster by Dan Mumford …
I recently did another 3 day etching course. It was great to be back amongst the inks and smells of the etching studio at Camberwell College of Arts, but 3 days is hardly enough time to get your juices flowing with a process as slow and methodical as etching.
I just visited an enthralling exhibition by artist Gemma Anderson at the Eb & Flow Gallery near Old Street in London. She has developed a focused artistic practice in which she takes an analytical approach that is similar to scientific research.